Launched on Indigenous Peoples’ Day 2025, seventeen Indigenous artists from across North America, installed their own exhibition in a takeover of the American Wing of The Metropolitan Museum of Art in New York City as it ended its centennial year.  The exhibition was unsanctioned. The Met did not know it was coming. 

Using a web-based AR experience, requiring no app downloads, visitors can hold up their phones and watch the museum’s paintings and sculptures transform into living works by contemporary Indigenous artists. Through this AR installation, the American Wing becomes a space where Indigenous presence, creativity, and stories are centered. The exhibition challenges past propaganda embedded in American art history to open space for dialogue about truth, history, and representation today. The intervention invites visitors to slow down, look deeper, and experience the museum’s collection in new ways. It creates a dialogue between artists and visitors, activists and allies, past and future generations.

ENCODED, is not a protest, or a demand for inclusion, it is a ceremonial act of remembering and reimagining; it is a portal inviting us to see what happens when new narratives enter old frames.

It is not a response to power. It IS power.

This is more than an ephemeral exhibition. It is a movement of many movements: this exhibition extends beyond the museum as a reminder of what has always been here and is an offering of a collective imagination towards a shared future.

ENCODED takes place on Lenapehoking, the homeland of the Lenape people. The Lenape were forcibly removed from this land. Today’s Lenape communities, culture and sovereignty are represented by the Delaware Tribe of Indians in Bartlesville, Oklahoma; the Delaware Nation Lenni Lenape in Anadarko, Oklahoma; the Stockbridge-Munsee Mohican Community in Bowler, Wisconsin; the Munsee-Delaware Nation at Muncey, Ontario; the Delaware Nation at Moraviantown, Ontario. Learn more about the Lenape here.

SEE THE EXHIBITION ZINE
FAQ

AN INDIGENOUS AR INTERVENTION

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AN INDIGENOUS AR INTERVENTION *

FEATURED ARTISTS

Amelia Winger-Bearskin
Bear Fox
Bird x Bird
Cannupa Hanska Luger
Cass Gardiner
Demian DinéYazhi´
Lite Brite Neon
Flechas
Jarrette Werk
Jeremy Dennis
Josué Rivas
Katsitsionni Fox
Lokotah Sanborn
Mali Obomsawin
Mer Young
Nicholas Galanin
Priscilla Dobler Dzul
& Skawennati

AND CO-CURATED BY

  • CO-CURATOR

    Tracy Rector is a mixed-heritage filmmaker, curator, and community organizer rooted in Turtle Island.

    For nearly forty years, she has collaborated on over 500 films and projects amplifying the voices of Indigenous, Black, Communities of Color, and Queer peoples. Her work has screened on Independent Lens, PBS, National Geographic, and ImagineNative, and at festivals including Sundance, Cannes, and Toronto. Beyond film, Tracy has served as a Seattle Arts Commissioner and holds leadership roles with Working Films, Multitude Films, and the Harvard Kennedy School Advisory Council. She is co-director of 4th World Media, dedicated to justice, culture, and collective creativity.

CURRENTLY AT THE MET?

Scan the QR code to start your experience. (through Dec 31)

See the Experience

TRY FOR YOURSELF

To experience a small sample of work from our MET takeover, please scan the QR code to download the AMPLIFIER AR app. From there, open each image in the gallery below and use your phone’s camera to see a few of the works transformed in our immersive exhibit.

EDUCATION AMPLIFIER

EDUCATION AMPLIFIER

JARRETTE WERK

Register for the Education Amplifier program to receive free teaching tools to use in your students' learning.

The Education Amplifier program is committed to amplifying the voices of social change movements through art and community engagement by creating meaningful ways for educators and their students to join the conversation.

REGISTER HERE

ABOUT AMPLIFIER


Amplifier is a nonprofit design lab that builds campaigns to amplify the most important movements of our time, by any medium necessary.

Since 2015, Amplifier has commissioned over 500 artists and distributed tens of millions of pieces of art and sent free artwork to hundreds of thousands of students across the United States.

Our media experiments are built on a foundation of free and open source art, the unlimited possibilities within a human centered design process, and the potentials when analog and digital technology merge.

Our distribution channels reach an average of 20 million viewers per campaign, reaching activists, teachers, policy makers, journalists, and everyday citizens eager to build a new world.  We do this work with the goal of reclaiming an American identity rooted in equality, dignity, diversity, truth, and beauty. We believe that each piece of art we create and distribute with our partners can be a compass that leads us away from the chaos and negativity of this polarizing time.

This exhibition is made possible by the generous support of an Indigenous funder and Pop Culture Collaborative, and through the efforts of a multicultural and multinational team of artists, technologists, organizers, and collaborators.

CREDITS | Aaron Huey (Creative Director, Director of Immersive Design), Alex Neville (Senior Digital Producer), Alison Lucker (Business Director), Beth Koulyras (Developer), Cleo Barnett (Executive Director of Amplifier), Eris Pavaje (AR Technician), Faye Orlove (Graphic Design), Florencia Franceschetti (Production Manager), Isabella Sisneros (Operations Director), Juan Mateo Menendez (AR Animator), Julieta Renteria (Program Coordinator), Keorattana Luangrathrajasombat (AR Technician), Lukasz Karluk (Technical Director, EyeJack), Maribel Gonzalez (Education Manager), Milosz Karluk (Graphic Design), Paige Lester (Production Lead), Stephany Torres (Production Manager), Stu Campbell (Art Director at EyeJack), Thomas Wimberly (Design), Tracy Rector (Co-Curator), Zandie Brockett 张桂才 (Executive Producer).